AI Animatics
Bring scripts to life for concept testing and creative presentations.
Editor & visual director · Available worldwide
AI films, animatics and motion for campaigns and big screens.
Direction, editing and finishing by Nick Brighter. From scripts and early visuals to presentation-ready films, LED content and campaign assets.
Services
Bring scripts to life for concept testing and creative presentations.
Motion designed around the screen — for stages, installations and brand experiences.
Editing, cleanup, compositing, colour and retouching — for original productions and material that needs a final pass.
Motion design and animation for campaigns, products and screens: animated presentations, app and interface motion, titles and 3D elements, built to the exact format.
About
I’m Nick Brighter, an editor and visual director. I work remotely and take on projects worldwide. I lead projects personally, combining storytelling, AI production and hands-on post-production. Specialist collaborators join when a project needs additional expertise.
My background is on set as well as in the edit: directing and cinematography, live multi-camera streaming, and sound from field recording to the final mix.
What I do
Scripts and briefs into AI animatics: generated shot by shot and cut to the script’s timing.
High-tempo editing and multi-cam assembly, camera tracking, roto, keying, cleanup and colour.
2D and 3D motion: 3D elements, scene lighting and camera animation, and content built to the pixel size of LED screens, stages and facades.
Cinema rigs and lighting, live multi-cam streaming, on-set dialogue recording and post-production audio.
Contact
Share your brief for a scoped estimate and delivery schedule.
Prefer a message? Telegram · @nickflocka or hello@brighter.team
| Shown here | Director’s cut, 4:3, 0:37 |
|---|---|
| Release versions | 3:4 for Telegram and 9:16 for Instagram, 0:41 each, with a photo collage and the logo pack shot |
| Released | 3 June 2025 |
| Camera | ARRI Alexa 35 with the Nostalgia texture, shot at 25 fps |
| Grade | Trimmed source clips and an XML went to the colourist; the graded clips came back by XML |
| Post-production | 28 May to 3 June 2025; director’s cut finished on 10 June 2025 |