AI Animatics
Bring scripts to life for concept testing and creative presentations.
Editor & visual director · Available worldwide
AI films, animatics and motion for campaigns and big screens.
Direction, editing and finishing by Nick Brighter. From scripts and early visuals to presentation-ready films, LED content and campaign assets.
Services
Bring scripts to life for concept testing and creative presentations.
Motion designed around the screen — for stages, installations and brand experiences.
Editing, cleanup, compositing, colour and retouching — for original productions and material that needs a final pass.
Motion design and animation for campaigns, products and screens: animated presentations, app and interface motion, titles and 3D elements, built to the exact format.
About
I’m Nick Brighter, an editor and visual director. I work remotely and take on projects worldwide. I lead projects personally, combining storytelling, AI production and hands-on post-production. Specialist collaborators join when a project needs additional expertise.
My background is on set as well as in the edit: directing and cinematography, live multi-camera streaming, and sound from field recording to the final mix.
What I do
Scripts and briefs into AI animatics: generated shot by shot and cut to the script’s timing.
High-tempo editing and multi-cam assembly, camera tracking, roto, keying, cleanup and colour.
2D and 3D motion: 3D elements, scene lighting and camera animation, and content built to the pixel size of LED screens, stages and facades.
Cinema rigs and lighting, live multi-cam streaming, on-set dialogue recording and post-production audio.
Contact
Share your brief for a scoped estimate and delivery schedule.
Prefer a message? Telegram · @nickflocka or hello@brighter.team
| Film | 1920 × 1080, 16:9 |
|---|---|
| Length | 20 s, the script’s fixed length |
| Stages | Director’s storyboard, character and set sheets, a still for every shot, motion, cut |
| Edits | Two: the announcer’s sign-off split across the last scenes, or spoken in full on the pack shot. The second was chosen. |
| Sound | Stereo. Recorded voice-over and the composer’s music from the agency’s side; a version without music and separated stems handed over |
| Worked through | An advertising agency, for the brand |
| Made | August 2026 |